The London Symphony Orchestra was booked to travel on the Titanic's maiden voyage, but they changed boats at the last minute.
The centenary of Titanic's doomed maiden voyage has focused on the bravery of the eight musicians who performed but ultimately perished during the maritime disaster.
Meanwhile, a much larger group of musicians narrowly avoided a similar fate. The London Symphony Orchestra had been scheduled to sail on the RMS Titanic in 1912, in what was the first United States tour by a British orchestra. The trip was sponsored by the instrument-manufacturing arm of Boosey & Hawkes, which agreed to give the musicians a full set of brass instruments to play if they made the journey that would span 21 days, 23 cities, and 32 concerts.
The LSO, of course, did not sail on the Titanic but another ship, the SS Baltic. The orchestra has previously attributed this change of plans to capricious American concert presenters, who rescheduled some of its concert dates at the last minute. Yet new details have emerged that give a fuller account of the life-saving decision.
Gareth Davies, the LSO's principal flutist, explained in an interview that the change began when another ship, the RMS Olympic, collided with a British naval warship off the coast of England in Sept. 1911. The Olympic was badly damaged, and to get it back into service as soon as possible, workers who had been finishing the Titanic were called off their jobs to assist; this delayed the Titanic's maiden voyage from March 20 to April 10, 1912.
"So they had to go on the Baltic instead, which was the real reason they never got on the Titanic," said Davies. "It was because the White Star Line changed it and not because the LSO schedule changed."
The LSO, conducted by Artur Nikisch, went on to travel across North America in a chartered eight-car Pullman train. Visits were made to cities on the East Coast and through the Midwest, as well as Toronto, Ottawa, and Montreal. While the orchestra was in St. Louis on April 16, they learned of the disaster of the Titanic (right).
A diary kept by the timpanist Charles Turner recorded the moment: "We hear here about the White Star line 'Titanic' going down. It causes great concern," the terse entry reads (the LSO is maintaining a Twitter feed of Turner's diary excerpts).
Davies noted that a second flute player in the orchestra, who was also keeping a diary of the trip, was good friends with a cellist in the Titanic band. "His diary trails off and becomes very matter of fact after that," said Davies.
Indeed, when the orchestra musicians learned of the disaster, "they must have had a shiver go down their spine when they realized how close they came to being on it," Davies added.